The Prom
Assistant Sound Designer
Director: Andrew Barratt Lewis
Set & Projection Designer: Cully Long
Lighting Designer: Jessica Greenberg
Costume Designer: Fan Zhang
Hair & Makeup Designer: Monse Gutierrez
Sound Designer: Aaron Hubbard
Properties Designer: Ja'Reese Barber
Photos: David Daniels
This show used sound reinforcement to make the music larger then life.
Amphibians
This show was produced entirely by Weber State students
Sound Designer
Director: Lily Hilden
Set Designer: Porter Lance
Puppet Designer: Cully Long
Lighting Designer: Kace Barthlome
Costume Designer: Tabitha Sublette
Hair & Makeup Designer: Chelsea Christensen
Sound Designer: Ella Deichmann
Foley Artist: Issac Dunlap
Photos: David Daniels
This show had a Foley table that created live sound effects during the show. I found all of the objects and directed the foley artsit.
Jane Eyre
Assistant Sound Designer
Director: Andrew Barratt Lewis
Set Designer: Cully Long
Lighting Designer: Marley Keith
Costume Designer: Julie Porter
Hair & Makeup: Madeline "Sock" Iverson
Sound Designer: Korey Lamb
Photos: David Daniels
This show had a realistic soundscape. The sound designer and I focused on making the show sound as real as possible.
Innovations theater
Innovations is a collaborative theater experience where shows are created fully by Weber State students
Sound Designer
I medusa
The story of Medusa is told to highlight the grief victims of sexual assault face as they navigate the world post-trauma.
Director: Natalie Litchfield
Set Designer: Porter Lance
Lighting Designers: Chelsey Chapmen, Hunter Jex
Costume designer: Madison Grissom
Sound Designer: Ella Deichmann
Photos: David Daniels
5150
The story of a comedian's mental health struggles and how we can rise from the darkness.
Director: Madison Grissom
Set Designer: Porter Lance
Lighting Designer: Kace Barthlome
Costume Designer: Citlali Urquiza
Sound Designer: Ella Deichmann
Photos: David Daniels
The soundscape for both of these plays focused on communicating emotions through sound. I' Medusa had almost no dialogue meaning the sound had to carry a lot of the weight.
The Importance of Being Earnest
Assistant Stage Manager
Director: Tracy Callahan
Set Designer: Cully Long
Light Designer: Marley Keith
Costume Designer: Catherine Zublin
Hair & Makeup: Kylee Hoffman
Sound Designer: Jessica Greenberg and Carey Campbell
Photos: David Daniels
For this show, I was in charge of tracking props and writing rehearsal reports.
The Impracticality of Modern-Day Mastodons
Assistant Sound Designer
Director: Jenifer Koki
Set Designer: Jo Winiarski
Light Designer: Marley Keith
Costume Designer: Edward Snow
Hair & Makeup: Kylee Hoffman
Sound Designer: Jessica Greenberg
Photos: David Daniels
The soundscape focused heavily on Icelandic folk music to mix reality and mythical.
Something's Afoot
Assistant Stage Manager
Director: Andrew Barratt Lewis
Scenic Designer: Cully Long
Lighting Designer: Jessica Greenberg
Costume Designer: Catherine Zublin
Sound Designer: Spenser Johnson & Micah Maxson
Photos: David Daniels