The Prom 

Assistant Sound Designer

Director: Andrew Barratt Lewis 

Set & Projection Designer: Cully Long

Lighting Designer: Jessica Greenberg

Costume Designer: Fan Zhang

Hair & Makeup Designer: Monse Gutierrez  

Sound Designer: Aaron Hubbard

Properties Designer: Ja'Reese Barber

Photos: David Daniels

This show used sound reinforcement to make the music larger then life.

 Amphibians

This show was produced entirely by Weber State students 

Sound Designer

Director: Lily Hilden

Set Designer: Porter Lance

Puppet Designer: Cully Long 

Lighting Designer: Kace Barthlome

Costume Designer: Tabitha Sublette

Hair & Makeup Designer: Chelsea Christensen  

Sound Designer: Ella Deichmann

Foley Artist: Issac Dunlap

Photos: David Daniels

This show had a Foley table that created live sound effects during the show. I found all of the objects and directed the foley artsit.

Jane Eyre

Assistant Sound Designer 

Director: Andrew Barratt Lewis

Set Designer: Cully Long

Lighting Designer: Marley Keith

Costume Designer: Julie Porter

Hair & Makeup: Madeline "Sock" Iverson

Sound Designer: Korey Lamb

Photos: David Daniels

This show had a realistic soundscape. The sound designer and I focused on making the show sound as real as possible. 

 Innovations theater 

Innovations is a collaborative theater experience where shows are created fully by Weber State students 

Sound Designer

I medusa 

The story of Medusa is told to highlight the grief victims of sexual assault face as they navigate the world post-trauma.

Director: Natalie Litchfield

Set Designer: Porter Lance

 Lighting Designers: Chelsey Chapmen, Hunter Jex

Costume designer: Madison Grissom

Sound Designer: Ella Deichmann

Photos: David Daniels

5150

The story of a comedian's mental health struggles and how we can rise from the darkness. 

Director: Madison Grissom

Set Designer: Porter Lance 

Lighting Designer: Kace Barthlome

Costume Designer: Citlali Urquiza

Sound Designer: Ella Deichmann

Photos: David Daniels 

The soundscape for both of these plays focused on communicating emotions through sound. I' Medusa had almost no dialogue meaning the sound had to carry a lot of the weight. 

The Importance of Being Earnest

Assistant Stage Manager

 Director: Tracy Callahan

Set Designer: Cully Long

Light Designer: Marley Keith 

Costume Designer: Catherine Zublin

Hair & Makeup: Kylee Hoffman

Sound Designer: Jessica Greenberg and Carey Campbell

Photos: David Daniels

For this show, I was in charge of tracking props and writing rehearsal reports.

 The Impracticality of Modern-Day Mastodons

Assistant Sound Designer

 Director: Jenifer Koki

Set Designer: Jo Winiarski

Light Designer: Marley Keith

Costume Designer: Edward Snow

Hair & Makeup: Kylee Hoffman

Sound Designer: Jessica Greenberg

Photos: David Daniels

The soundscape focused heavily on Icelandic folk music to mix reality and mythical. 

Something's Afoot

Assistant Stage Manager

Director: Andrew Barratt Lewis

Scenic Designer: Cully Long

Lighting Designer: Jessica Greenberg

Costume Designer: Catherine Zublin

Sound Designer: Spenser Johnson & Micah Maxson

Photos: David Daniels

For this show, I was in charge of tracking props running stage-right during the run.